EPISTEMOLOGICAL FOUNDATIONS AND SEMANTICS OF "DOIRA'S MACOMIC RHYTHMS" IN THE DETERMINANTS OF A NEW TECHNOLOGICAL THEORY (professional education on the example of types of percussion performance)

Abstract

For the first time, the article substantiates the pedagogical and psychological principles of the epistemology of percussion instruments, the new and eternal technology of the theory of percussion instruments created by the author as “Doira” and the determinants of the theory in five (5) musical lines. The semantics of the professional “Makom” methods, which have become an indirectly relevant problem, the scientific and spiritual significance of the philosophical views of musicologists and art historians on the performing factors of the “Doira” instrument, and the activities of its representatives are covered. Also in nature there are processes associated with the synchronicity of human heartbeats, the differentiated state of the criteria of consciousness and subconscious actions and the criteria of meaning and perception in it, the sound of philosophical ideas arising from the sounds of nature and mysterious secrets. unknown to us in cosmic elements, their role and significance in the interpretation and application of ergology and professional classifications of activities are determined.